A working curriculum on the craft of fiction
Writing Beliefs
Not rules — beliefs. These are the working convictions behind how I write: what a story owes its reader, what characters are for, why magic needs limits. Each belief argues its case, credits the writers who earned it, and links deeper into the library.
Study and this page are open to everyone — Study is also where the whole library lives. The other units need an access key.
Curriculum
One shelf, nine beliefs
Study comes first because everything after it was taken from those books. Then the beliefs, in the order I'd teach them — 53 sections and 42 quick checks in all. Every unit lists what's inside it, whether or not you have a key yet.
- The shelf
- The whole library
- Read it. Then read it again.
- Read it with someone
- Why you’d commit to this
- Promise, progress, payoff
- The chiastic circle
- The wheel inside the circle
- Frameworks are overlays, not laws
- Endings
- Believe, care, invest
- Save the cat — but know why it works
- Problem versus conflict
- Assembling an arc
- Weiland’s six archetypal arcs
- Put the engine at the front
- The period is a stop sign
- Control the pace
- Climb the ladder before you write
- Prune
- Break the rules on purpose
- Your turn
- Sanderson’s Laws
- The spectrum
- The chain
- Point of view is four dials, not three options
- The three ways to break the dream
- Calibrate the reader against your hero
- What the dream is about: three deaths
- Three ways to deliver an emotion
- Undercutting: why labels numb
- The bill for immersion
- Bell’s tricks
- Name the technique
- Big picture first. Always.
- Earn the eye before you use it
- A revision, in public
- The two questions that find most problems
- Taking it
- Giving it
- Keystones and confetti
- Trivial tragedy
- Curve the language
- Seven premises that keep working
- Inappropriate enthusiasm
- Balance, and the roller coaster
- Write hard, then edit cold
- Design the day
- My actual pipeline
- Borrow the newsroom’s checklists
- Checklists for reading someone else’s draft
- Exposition, and the ten-thousand-word rule
- The last habit
Tool
The Story Circle
A chiastic story circle with seven framework overlays, from Harmon to Save the Cat, built as a draggable planning tool. The Structure belief walks its logic; the tool lets you plan with it.
Open the toolUnit 00
The books behind the beliefs
Every conviction here traces back to a book, a lecture, or a checklist by someone who did the work first. Study is the shelf — all of them, what each one gave me, and a free and legal way to get every single one.
Open Study